By Tim Hollis
There has been a time whilst rural comedians drew so much in their humor from stories of farmers' daughters, hogs, hens, and hill nation excessive jinks. Lum and Abner and mum and dad Kettle would possibly not have toured fortunately below the "Redneck" marquee, yet they have been its precursors. In Ain't Knee-Slapper: Rural Comedy within the 20th Century, writer Tim Hollis strains the evolution of this vintage American type of humor within the mass media, starting with the golden age of radio, whilst such comedians as Bob Burns, Judy Canova, and Lum and Abner stored listeners guffawing. The publication then strikes into the movies of the Thirties, Forties, and Fifties, whilst the demonstrated radio stars loved moment careers at the silver reveal and have been joined via live-action renditions of the caricature characters Li'l Abner and Snuffy Smith, besides the much-loved mum and dad Kettle sequence of movies. Hollis explores such rural sitcoms because the actual McCoys within the past due Nineteen Fifties and from the Nineteen Sixties, The Andy Griffith exhibit, The Beverly Hillbillies, eco-friendly Acres, Hee Haw, and so on. alongside the way in which, readers are taken on aspect journeys into the realm of lively cartoons and tv advertisements that succeeded via a extraordinarily rural experience of enjoyable. whereas rural comedy fell out of style and networks sacked exhibits within the early Nineteen Seventies, the emergence of such hits because the Dukes of Hazzard introduced the style whooping again to the mainstream. Hollis concludes with a quick examine the present nation of rural humor, which manifests itself in a extra suburban, redneck model of standup comedy. Tim Hollis is the writer of various books, together with whats up, girls and boys! America's neighborhood kid's television courses and (with Greg Ehrbar) Mouse Tracks: the tale of Walt Disney documents.
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Additional resources for Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century
Announcer: Say, what sort of business is this? - 55 - Radio Rules the Roost “Allen’s Alley” was the most well remembered segment of the Fred Allen Show. Its four residents were the loudmouthed Senator Claghorn; the taciturn rustic, Titus Moody; the Jewish housewife, Mrs. Nussbaum; and the quarrelsome Irishman, Ajax Cassidy. - 56 - Radio Rules the Roost Clem: Well, didn’t yuh read th’ sign on the door? Announcer: Yes, I read it. Clem: Well, would yuh read it ta me? Other skits revolved around Clem’s relationship with his equally rustic girlfriend, Daisy June (played by Harriet Nelson, later of Ozzie and Harriet fame).
I dressed the way a young country girl would really dress to come to town for a day,” she said. Only later would she add the touch of a hat with its price tag still dangling ostentatiously from the string, the image that became Minnie Pearl’s trademark above all others. Price tag or no, the listeners who were still up to hear Minnie’s initial Opry spot thought she was worth something, because approximately three hundred of them wrote letters to her at the WSM address. By the Wednesday after her first show, WSM had invited her back for an appearance the following week—causing some problems, since she had only one set of jokes.
Allen: You dress up as a rube? Moody: Yep, I put on a big straw hat, tie a red bandanna ’round my neck, stick a piece o’ straw in my mouth, then I go down by the road an’ lean on a long rake. Allen: What happens when a motorist drives up? Moody: Why, I start yellin’ “Well I swan” an’ “By heck” an’ other rustic expressions.
Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century by Tim Hollis