By Sterling Professor of the Humanities Harold Bloom
Makes a speciality of the significant African-American poets from colonial occasions to the Harlem Renaissance and the realm conflict II period. This identify covers poets that come with Phillis Wheatley, writer of the 1st quantity of verse released through an African American, and the seminal figures Gwendolyn Brooks, Countee Cullen, Paul Lawrence Dunbar, and Langston Hughes.
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Additional resources for African-American Poets: 1700s-1940s (Bloom's Modern Critical Views)
Robert Hayden: The Apprenticeship: Heart-Shape in the Dust (1940) 21 15. , Book of Negro Folklore, p. 300. 16. Sterling Brown, Negro Poetry and Drama and the Negro in American Fiction: Studies in American Life, pp. 18–19. 17. Elinor Wylie, “Hospes Comesque Coparis,” Collected Poems of Elinor Wylie, p. 124; see also p. viii for the poet’s own explanation. The stanza follows: And the small soul’s dissolving ghost Must leave a heart-shape in the dust Before it is inspired and lost In God: I hope it must.
The Georgia poems, some of which were published before Cane, belong to Toomer’s ancestral-consciousness period and date roughly from September 1921 to Black Modernism? The Early Poetry of Jean Toomer and Claude McKay 43 December 1923 ( Jones and Latimer, xiv). Of the poems first published in Cane, only “Cotton Song” and “Prayer” show a clearly spiritist vocabulary. The bulk of the leaves in Cane falls between the two phases, marking the earliest and latest texts assembled in Cane. A convincing case has been made for a cubist technique in some of them (Bush and Mitchell).
It is a protest against the failure of the Paris Peace Conference to take action in the decolonization of Africa: The little peoples of the troubled earth, The little nations that are weak and white;— For them the glory of another birth, For them the lifting of the veil of night. The big men of the world in concert met, Have sent forth in their power a new decree: Upon the old harsh wrongs the sun must set, Henceforth the little peoples must be free! But, we, the blacks, less than the trampled dust, Who walk the new ways with the old dim eyes,— 46 Wolfgang Karrer We to the ancient gods of greed and lust Must still he offered up as sacrifice: Oh, we who deign to live but will not dare, The white world’s burden must forever bear!
African-American Poets: 1700s-1940s (Bloom's Modern Critical Views) by Sterling Professor of the Humanities Harold Bloom