By Adele Marie Barker, Jehanne M. Gheith
A heritage of Women's Writing in Russia strains comprehensively the lives and works of Russia's girls writers from the center a while to the current. individuals have addressed the customarily outstanding contexts in which women's writing has been produced. Chapters show a flourishing literary culture the place none was once concept to exist, how Russia's girls writers articulated their very own event, and re-assesing their courting to the dominant male culture. the amount is supported by means of large reference beneficial properties together with a bibliography and advisor to writers and their works.
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Extra info for A History of Women's Writing in Russia
Ciepiela, in “The Women of Russian Montparnasse,” notes the complications of this movement away from motherhood in the poetry of Gippius, Tsvetaeva, and in the emigration in general. During the Stalin years the image of the mother figure came to be used as a way of unifying the nation during difficult times. Thus Stalin drew on nationalist symbols of Mother Earth and Mother Russia to evoke nationalist sentiment, a theme taken up by both Hodgson and Holmgren, who argue that the images of the bereft mother and the female mourner were compelling for women writers during the Soviet era.
Counter to the received wisdom – mostly male in origin – about the primacy of love in a woman’s life, many of the women writers represented here explicitly wrote against the theme of love as the highest pinnacle of a woman’s existence. Instead, writers such as Kheraskova (see Kelly’s essay) view love as damaging to a reasonable, autonomous existence in a way that prefigures the work of Mary Wollstonecraft on women’s rights in England. Holmgren, Barker, and Goscilo discuss the fate of love within the context of the great Soviet romance of boy meets girl meets tractor.
It is written by a woman who gently but insistently asks a gentleman friend why he has not come to see her – she has already written three times. Emotive yet frank, she appears anxious that she has offended him in some way and cannot understand his silence. Such fragmentary relics penned by women are not overly unusual in Novgorod, although even here no substantial evidence has come to light to suggest an active participation in the far more extensive official ecclesiastical literature. It thus appears that women’s contribution to early written culture was of a limited and practical nature.
A History of Women's Writing in Russia by Adele Marie Barker, Jehanne M. Gheith